John Singleton Copley

United States 1738-1815
John Singleton Copley (1738-1815) was an influential American painter of the colonial period who later gained prominence in Britain as a leading portraitist and history painter. Born in Boston, Massachusetts, Copley's artistic journey began in the colonies where he honed his skills through self-taught means and under the informal guidance of family friends. Copley's early work is characterized by a meticulous attention to detail and a deep understanding of human expression and gesture, qualities that quickly garnered him recognition. His portraits captured the essence of his subjects with remarkable realism, often set against richly detailed backgrounds. Notable works from this period include "The Portrait of Paul Revere" (1768), which immortalized the silversmith and revolutionary figure, and "Mrs. Thomas Boylston" (1767), showcasing his mastery of fabric rendering and psychological depth. In the late 18th century, Copley's reputation spread across the Atlantic, prompting him to travel to London to further his career. There, he immersed himself in the British art scene, studying the works of masters like Sir Joshua Reynolds, and expanded his repertoire to include historical painting. This transition culminated in masterpieces such as "Watson and the Shark" (1778), a dramatic narrative piece that combines elements of portraiture with storytelling. Despite his move to England, Copley maintained a connection with his American roots, producing numerous portraits of American visitors and expatriates. His style evolved over time, incorporating more fluid brushwork and a looser handling of paint while maintaining the strong sense of composition and lighting that defined his earlier works. Copley's contributions to the arts were recognized with election to the Royal Academy in 1779, solidifying his status as one of the most esteemed artists of his generation. His influence extended beyond his lifetime, impacting both the development of American and British portraiture. His legacy continues to be celebrated for its ability to capture the spirit of the Enlightenment era and the transition from colonial to modern life.

Collection of Works(Page 7)

Sarah Sherburne Langdon,John Singleton Copley,Oil Painting,Oil Painting, fine art parody, 1girl, flower, solo
Sarah Sherburne Langdon
Resolution: 7154 × 8999 px
Study for 'The Death of the Earl of Chatham',John Singleton Copley,Sketch,Sketch, 1boy, male focus, solo
Study for 'The Death of the Earl of Chatham'
Resolution: 3193 × 2443 px
Study for 'The Defeat of the Floating Batteries at Gibraltar',John Singleton Copley,Sketch,Sketch, monochrome
Study for 'The Defeat of the Floating Batteries at Gibraltar'
Resolution: 3720 × 2391 px
The Copley Family,John Singleton Copley,Oil Painting,Oil Painting, fine art parody, parody, multiple girls
The Copley Family
Resolution: 2956 × 2365 px
Study for 'John Adams',John Singleton Copley,Sketch,Sketch, 1boy, solo, monochrome, male focus, boots, sketch
Study for 'John Adams'
Resolution: 2517 × 3398 px
Study for 'The Death of the Earl of Chatham',John Singleton Copley,Copperplate Etching,Copperplate Etching
Study for 'The Death of the Earl of Chatham'
Resolution: 3904 × 2375 px
Study for 'The Siege of Gibraltar'; Three Figures,John Singleton Copley,Sketch,Sketch, monochrome, 1girl
Study for 'The Siege of Gibraltar'; Three Figures
Resolution: 3691 × 2237 px
The Return of Neptune,John Singleton Copley,Oil Painting,Oil Painting, fine art parody, weapon, polearm
The Return of Neptune
Resolution: 3709 × 2230 px
Study for 'The Ascension',John Singleton Copley,Copperplate Etching,Copperplate Etching, multiple boys
Study for 'The Ascension'
Resolution: 3655 × 2552 px
Study for 'The Defeat of the Floating Batteries at Gibraltar',John Singleton Copley,Sketch,Sketch, monochrome
Study for 'The Defeat of the Floating Batteries at Gibraltar'
Resolution: 3632 × 2389 px
The Siege of Gibraltar,John Singleton Copley,Sketch,Sketch, monochrome, male focus, sketch, 1boy, solo
The Siege of Gibraltar
Resolution: 3996 × 6202 px