Angelica Kauffmann

Switzerland 1741 – 1807
Angelica Kauffmann, a pioneering figure in the history of art, was born on October 30, 1741, in Chur, Switzerland. She rose to prominence as an artist during the 18th century, becoming one of the leading figures of the Neoclassical movement and a founding member of the Royal Academy in London. Kauffmann's oeuvre spanned across painting, design, and printmaking, making her not only a celebrated portraitist but also an influential exponent of decorative arts. From an early age, Kauffmann demonstrated prodigious talent, honing her skills under the guidance of her father Johann Joseph Kauffman, who himself was a painter. Her precocious abilities led to extensive travels across Europe where she absorbed a range of artistic influences, particularly from Italian Renaissance masters. This exposure enriched her work with classical themes and a refined sense of composition. Kauffmann's paintings are known for their elegance, delicate coloration, and the way they often blended portraiture with historical or mythological narratives. Her subjects included members of high society, intellectuals, and artists, as well as scenes from literature and mythology that exuded a moral and intellectual depth. Notably, her works broke away from the traditional confines of female representation by depicting women in roles that transcended mere decoration; instead, her female figures often portrayed scholarly pursuits and heroic virtues. Her fame reached its zenith when she settled in London, where she enjoyed the patronage of prominent figures and was commissioned to create murals for the interior decoration of several notable buildings. Among her most famous works are "The Artist in her Studio" and various self-portraits which reflect her own status as an independent, professional artist—a rarity for a woman of her time. In addition to her contributions to painting, Kauffmann played a pivotal role in the burgeoning art scene of the period, advocating for the recognition of women's artistic capabilities. After marrying the Venetian artist Antonio Zucchi, she continued her prolific career, collaborating with her husband on numerous projects and influencing the visual culture of late 18th-century Europe. Angelica Kauffmann passed away on November 5, 1807, in Rome, leaving behind a legacy that has inspired countless artists and scholars. Today, her works can be found in prestigious collections around the world, testifying to her enduring impact on the art world and her lasting place in the pantheon of great European painters.

Collection of Works(Page 3)

Study from life of a kneeling woman in profile,Angelica Kauffmann,Sketch,Sketch, 1girl, solo, on side, lying
Study from life of a kneeling woman in profile
Resolution: 3575 × 4274 px
The Sorrow of Telemachus,Angelica Kauffmann,Oil Painting,Oil Painting, fine art parody, parody, multiple boys
The Sorrow of Telemachus
Resolution: 3723 × 2717 px
Woman at Spinet,Angelica Kauffmann,Sketch,Sketch, solo, monochrome, 1boy, male focus, traditional media
Woman at Spinet
Resolution: 2470 × 3000 px
Study of a Standing Woman,Angelica Kauffmann,Sketch,Sketch, solo, monochrome, 1girl, standing, sketch
Study of a Standing Woman
Resolution: 1925 × 3040 px
Theseus and Ariadne,Angelica Kauffmann,Oil Painting,Oil Painting, fine art parody, 1girl, 1boy, brown hair
Theseus and Ariadne
Resolution: 3544 × 4223 px
Woman in Turkish Dress,Angelica Kauffmann,Oil Painting,Oil Painting, 1girl, solo, realistic, brown hair
Woman in Turkish Dress
Resolution: 3810 × 4594 px
Telemachus and The Nymphs of Calypso,Angelica Kauffmann,Oil Painting,Oil Painting, fine art parody, parody
Telemachus and The Nymphs of Calypso
Resolution: 3783 × 2716 px
Three muses in conversation,Angelica Kauffmann,Sketch,Sketch, fine art parody, instrument, multiple girls
Three muses in conversation
Resolution: 4181 × 3358 px