John Singleton Copley

United States 1738-1815
John Singleton Copley (1738-1815) was an influential American painter of the colonial period who later gained prominence in Britain as a leading portraitist and history painter. Born in Boston, Massachusetts, Copley's artistic journey began in the colonies where he honed his skills through self-taught means and under the informal guidance of family friends. Copley's early work is characterized by a meticulous attention to detail and a deep understanding of human expression and gesture, qualities that quickly garnered him recognition. His portraits captured the essence of his subjects with remarkable realism, often set against richly detailed backgrounds. Notable works from this period include "The Portrait of Paul Revere" (1768), which immortalized the silversmith and revolutionary figure, and "Mrs. Thomas Boylston" (1767), showcasing his mastery of fabric rendering and psychological depth. In the late 18th century, Copley's reputation spread across the Atlantic, prompting him to travel to London to further his career. There, he immersed himself in the British art scene, studying the works of masters like Sir Joshua Reynolds, and expanded his repertoire to include historical painting. This transition culminated in masterpieces such as "Watson and the Shark" (1778), a dramatic narrative piece that combines elements of portraiture with storytelling. Despite his move to England, Copley maintained a connection with his American roots, producing numerous portraits of American visitors and expatriates. His style evolved over time, incorporating more fluid brushwork and a looser handling of paint while maintaining the strong sense of composition and lighting that defined his earlier works. Copley's contributions to the arts were recognized with election to the Royal Academy in 1779, solidifying his status as one of the most esteemed artists of his generation. His influence extended beyond his lifetime, impacting both the development of American and British portraiture. His legacy continues to be celebrated for its ability to capture the spirit of the Enlightenment era and the transition from colonial to modern life.

Collection of Works(Page 1)

A Boy With A Flying Squirrel [Henry Pelham],John Singleton Copley,Oil Painting,Oil Painting, fine art parody
A Boy With A Flying Squirrel [Henry Pelham]
Resolution: 4466 × 5401 px
Abigail Smith Babcock (Mrs. Adam Babcock),John Singleton Copley,Oil Painting,Oil Painting, fine art parody
Abigail Smith Babcock (Mrs. Adam Babcock)
Resolution: 3045 × 4000 px
Anne Fairchild Bowler (Mrs. Metcalf Bowler),John Singleton Copley,Oil Painting,Oil Painting, 1girl, solo
Anne Fairchild Bowler (Mrs. Metcalf Bowler)
Resolution: 3192 × 4000 px
Catherine Greene,John Singleton Copley,Oil Painting,Oil Painting, fine art parody, solo, 1girl, realistic
Catherine Greene
Resolution: 4817 × 6000 px
A Gentleman,John Singleton Copley,Sketch,Sketch, 1boy, solo, male focus, monochrome, walking
A Gentleman
Resolution: 2515 × 3904 px
Admiral De Winter Raising the Colors,John Singleton Copley,Sketch,Sketch, multiple boys, monochrome, sketch
Admiral De Winter Raising the Colors
Resolution: 2744 × 1876 px
Colonel George Lewis,John Singleton Copley,Oil Painting,Oil Painting, hat, solo, holding, traditional media
Colonel George Lewis
Resolution: 4169 × 5060 px
A Hussar Officer on Horseback,John Singleton Copley,Sketch,Sketch, solo, weapon, bow (weapon), 1boy
A Hussar Officer on Horseback
Resolution: 4147 × 5214 px
Anna Dummer Powell,John Singleton Copley,Oil Painting,Oil Painting, fine art parody, solo, realistic, old
Anna Dummer Powell
Resolution: 3665 × 4593 px
Benjamin Pickman,John Singleton Copley,Oil Painting,Oil Painting, solo, 1boy, male focus, black hair, necktie
Benjamin Pickman
Resolution: 2389 × 3000 px
Colonel William Fitch and His Sisters Sarah and Ann Fitch,John Singleton Copley,Oil Painting,Oil Painting
Colonel William Fitch and His Sisters Sarah and Ann Fitch
Resolution: 4000 × 3007 px