Anselm Feuerbach

Germany 1829-1880
Anselm Feuerbach, born on September 12, 1829, in Speyer, Germany, was a significant figure within the German Romantic and later Realist movements of the 19th century. He was a key proponent of classical painting and is often considered one of the last great history painters of his era. Despite his German origins, Feuerbach's life and work were deeply influenced by his extended stays in Rome, where he sought to revive the grandeur of ancient Greek and Roman art. Feuerbach began his artistic journey under the tutelage of his father, the archaeologist Joseph Anselm Feuerbach, before attending the Academy of Fine Arts in Düsseldorf and later studying under prominent artists like Wilhelm von Schadow. His early works reflect an engagement with Romantic themes, but it was during his sojourns in Italy that his style matured into a more robust, classical approach. Influenced by the Italian Renaissance masters, Feuerbach focused extensively on mythological and historical subjects, which he rendered with a unique blend of emotional depth and formal clarity. His paintings are characterized by their rich colors, strong chiaroscuro effects, and a palpable humanism. Works such as "Iphigenia," "Pompeii," and "Bacchus and Ariadne" exemplify this synthesis of classicism and modern sensibility, capturing the timeless beauty and pathos inherent in classical narratives. Throughout his career, Feuerbach's approach to painting evolved from the dramatic intensity of his early years to a more serene and contemplative phase in his later works. Although celebrated in his time, he maintained a critical stance against contemporary trends in art, particularly those associated with Impressionism, which he viewed as lacking the idealistic qualities he cherished. Despite having an international following and being esteemed by peers such as Arnold Böcklin and Edouard Manet, Feuerbach’s relationship with the German art establishment was fraught with tension. He eschewed the academic circles and exhibitions back home, choosing instead to live out his final years in Venice, where he died on March 4, 1880. Today, Anselm Feuerbach's legacy endures through his canvases that continue to inspire admiration for their technical mastery and profound emotional resonance, embodying the enduring appeal of the classical tradition in a rapidly changing world.

Collection of Works(Page 1)

At The Beach, Fisher Maiden In Antium,Anselm Feuerbach,Oil Painting,Oil Painting, 1girl, fine art parody
At The Beach, Fisher Maiden In Antium
Resolution: 4200 × 6453 px
Drapery Studies,Anselm Feuerbach,Sketch,Sketch, monochrome, traditional media, 1girl, sketch, 1boy
Drapery Studies
Resolution: 2248 × 3538 px
Male Nude Walking,Anselm Feuerbach,Sketch,Sketch, solo, monochrome, ass, 1girl, nude, standing
Male Nude Walking
Resolution: 2336 × 3382 px
Children Making Music Overheard By A Nymph,Anselm Feuerbach,Oil Painting,Oil Painting, fine art parody
Children Making Music Overheard By A Nymph
Resolution: 4444 × 5748 px
Henriette Feuerbach, the artist's stepmother,Anselm Feuerbach,Oil Painting,Oil Painting, solo, 1girl
Henriette Feuerbach, the artist's stepmother
Resolution: 2734 × 3508 px
Nude Boy, Walking to the Left,Anselm Feuerbach,Sketch,Sketch, solo, 1boy, male focus, nude, monochrome, penis
Nude Boy, Walking to the Left
Resolution: 2473 × 3549 px
Drapery Studies,Anselm Feuerbach,Sketch,Sketch, monochrome, 1boy, 1girl, traditional media, robe, cloak
Drapery Studies
Resolution: 2242 × 3493 px
Lucrezia Borgia, Portrait of a Roman woman in white tunic and red robe,Anselm Feuerbach,Oil Painting
Lucrezia Borgia, Portrait of a Roman woman in white tunic and red robe
Resolution: 3162 × 3848 px
Medea with her Younger Son Sleeping in her Arms,Anselm Feuerbach,Sketch,Sketch, solo, 1boy, male focus, robe
Medea with her Younger Son Sleeping in her Arms
Resolution: 3221 × 6672 px
On the Seashore,Anselm Feuerbach,Oil Painting,Oil Painting, solo, black hair, fine art parody, rock, 1girl
On the Seashore
Resolution: 2149 × 3652 px