Sir John Everett Millais

United Kingdom 1829-1896
Sir John Everett Millais (1829-1896) was an eminent English painter, celebrated as one of the founders and key figures of the Pre-Raphaelite Brotherhood, a group that revolutionized Victorian art with its emphasis on intense detail, vivid color, and a return to the simplicity and emotional depth found in early Italian art. Born on June 8, 1829, in Southampton, England, Millais displayed prodigious artistic talent from a young age and began his formal training at the Royal Academy Schools. Millais's career took off when he co-founded the Pre-Raphaelite Brotherhood in 1848 alongside Dante Gabriel Rossetti and William Holman Hunt. Their movement sought to challenge the prevailing artistic norms by rejecting what they perceived as the mechanistic approach adopted by the Mannerist successors of Raphael, hence their name. Millais's early works within this period are characterized by meticulous attention to naturalistic detail, vibrant hues, and narratives drawn from literature, mythology, and history. One of his most famous and controversial paintings during this phase is "Ophelia" (1851–1852), which exemplifies the Pre-Raphaelite fascination with Shakespearean themes and the beauty of nature. The painting's intricate depiction of flora and Ophelia's tragic demise garnered both admiration and criticism for its departure from traditional aesthetics. As his career progressed, Millais's style evolved towards broader brushwork and a more polished technique. His later works often depicted contemporary life with a heightened sense of realism and a warmer palette. Notable among these are portraits such as "The Boyhood of Raleigh" (1870) and "Bubbles" (1886), the latter famously used in a Pears Soap advertisement, highlighting Millais's crossover into popular culture. Throughout his life, Millais enjoyed significant commercial success and was elected to the Royal Academy in 1863. He was later knighted in 1885, becoming Sir John Everett Millais, and also served as President of the Royal Academy from 1896 until his death on August 13, 1896. Beyond his impact on the Pre-Raphaelite movement, Millais left a lasting legacy in British art history through his versatility and ability to adapt to changing tastes while maintaining a high standard of craftsmanship and narrative power in his work.

Collection of Works(Page 9)

The Proscribed Royalist 1651 - Puritan Girl visiting Cavalier Lover,Sir John Everett Millais,Sketch,Sketch
The Proscribed Royalist 1651 - Puritan Girl visiting Cavalier Lover
Resolution: 3736 × 3364 px
Thomas Hood's Ruth - Two Figure Sketches,Sir John Everett Millais,Sketch,Sketch, hat, sketch, monochrome
Thomas Hood's Ruth - Two Figure Sketches
Resolution: 2969 × 3712 px
Two Head Studies in Profile,Sir John Everett Millais,Sketch,Sketch, mustache, facial hair, male focus
Two Head Studies in Profile
Resolution: 2476 × 3555 px
The Rejection of Cain's Sacrifice (Genesis IV),Sir John Everett Millais,Copperplate Etching
The Rejection of Cain's Sacrifice (Genesis IV)
Resolution: 2973 × 3831 px
The tribe of Benjamin seizing the daughters of Shiloh in the vineyards,Sir John Everett Millais,Oil Painting
The tribe of Benjamin seizing the daughters of Shiloh in the vineyards
Resolution: 1844 × 1472 px
Three Studies of a Sleeping Dog,Sir John Everett Millais,Sketch,Sketch, dog, animal, monochrome, no humans
Three Studies of a Sleeping Dog
Resolution: 3776 × 2504 px
The Vale of Rest - Finished Study,Sir John Everett Millais,Copperplate Etching,Copperplate Etching, tree
The Vale of Rest - Finished Study
Resolution: 3872 × 2336 px
Three Swordhilts,Sir John Everett Millais,Oil Painting,Oil Painting, sword, weapon, no humans, realistic
Three Swordhilts
Resolution: 3262 × 4519 px
Wilkie Collins's Mr Wrays Cash-Box - Figure Sketch,Sir John Everett Millais,Sketch,Sketch, 1girl, 1boy
Wilkie Collins's Mr Wrays Cash-Box - Figure Sketch
Resolution: 2655 × 3699 px